Monday, September 29, 2008

A Highdea: How To Do Kundalini Meditation By Being Your Own Warp Core

Right. So this came to me as I was sitting in meditation in Yoga class. It seemed terribly profound at the time.

For those of you who ever watched Star Trek (great to watch when you're growing up... but why, oh why, is it so lame?) there's a key image which you can use when trying to draw energy up from the ground and down from the sky--the warp core.
Yeah.




ANIMATED INTRO ON HOW TO DRAW ENERGY UP AND DOWN DURING YOUR MEDITATION:

Thursday, September 25, 2008

Srugim or Sex and the Holy City

I'm in Israel for this leg of my studies before my scheduled junket to Japan for intense training in Zen. While I'm here, I live in the old Jerusalem neighborhood of Katamon--this place is famous for its singles scene. Recently, Katamon (or "the botz" or "swamp" as its singles wryly and only half-affectionately call the place) came to national attention as it was featured in the new Israeli TV show "Srugim," a soapy but poignant Israeli pop-intervention. Srugim dramatizes the lives of young, "Modern-Orthodox" singles adrift. Modern-Orthodoxy means many things to many people, but as a movement it tries to live in the space between the real world and real ritual (the "liminal space" as my teachers say). Watching "Srugim" is fascinating... Once, I was one of these people. Now, I'm just me/and them/and everybody else.

"On the beach on Shabbat (the Jewish sabbath)":

Wednesday, September 24, 2008

How the Ego works

One day, a priest was passing by the office of his bishop. He heard the bishop praying with the these words: "I am nothing. I am nothing."

The priest was inspired. He went into his own office and began to pray: "I am nothing. I am nothing."

The janitor passed by the priest's office and heard the prayer. The janitor was inspired. He walked down the hall repeating: "I am nothing. I am nothing." 

The priest heard the janitor praying and said to himself: "who the hell does he think he is?"

Tuesday, September 23, 2008

David Mamet on Budo/David Mamet on Acting


Sensei recently encouraged us to watch David Mamet's Redbelt. Mamet's style of writing--he has a purple belt in Brazilian Jiu-jitsu--relies on leveraging the unstoppable inertia of inevitability. 

This is the essence of praxis in tragedy.

The incomparably enigmatic Chiwetel Ejiofor play's Mamet's protaganist, Mike Terry. Terry, nearly a saint in this film, embodies Mamet's broader philosophy. As he says:

"Everything has a force. Embrace it or deflect it. Why oppose it? Just turn to the side."

One can hear the ring of truth about this idea, no?

Mamet takes this exact approach to theatre in his famous book True and False in Acting: Heresy and Common Sense for the Actor. In this text, he embraces Sanford Meisner's brilliant and economic epiphany: that acting is SIMPLY about practicing "the reality of (not) doing." In other words, acting is not doing anything until someone or something makes you do it.

As Mamet writes: “Preoccupation with effect is preoccupation with the self, and not only is it joyless, it’s a waste of time.”

Just take the heat off yourself by putting all your attention on the other. It works.

Thursday, September 11, 2008

Iaido and the Aleph-Bet: Workshop Every Wed.


Q: What do Samurai culture and the Aleph-Bet have in common?

A: Explore the question. Join us for a free workshop that will introduce the Ancient Japanese sword art of Iaidō and Otiyot Chayot, a system of movement inspired by Kabbalah, T’ai Chi and the Aleph-Bet.

Through Iaidō, we will use our bodies and our “swords”* to become living calligraphy of the Hebrew letters.

The goal: to find a state of flow and no mind.

Details:

Where: South East corner of Gan Sacher, Jerusalem

When: Every Wednesday (18:00 - 19:30)

Clothing: loose, comfortable clothing

* “Swords”: Please visit your local hardware store and purchase a wooden stick, approximately 60 cm in length. Alternatively, if you would like to continue studying this art, purchase of a bokken (a traditional wooden practice sword) is recommended.

To RSVP or for more information, please e-mail: akiva@republictheater.org

Tuesday, September 9, 2008

Budo for Peace: changing the perception of Oyev (enemy) into the Ohev (beloved)





Budo for Peace (BFP) brings together young people from conflict areas in the Middle East to learn and practice traditional Japanese budo (martial arts) in order to learn its values and apply them toward breaking down fear and building trust between peoples. Through martial arts training and understanding of traditional Japanese budo values – including respect, harmony and self-control – the youth enrolled in our program are taught to convert both internal and external conflict into harmonious behavior.

For more information, please visit: http://www.budoforpeace.org

Monday, September 8, 2008

Aikido and Anne of Green Gables?!?

Like many children of the '80's, I grew up watching PBS' Anne of Green Gables.

Then adulthood, quarter life crisis (actually crises), and cynicism.

But life travels in circles and, if we're lucky, spirals.

I feel lucky.

Like many in their late-twenties, living in NYC, I wanted so much more. And when I was ready, teachers appeared in all things. I fall in love at least twice a day now.

I think a good indicator for spiritual or self-aware progress can be found when you brush (not trip) against your own past as you're moving forward, take note of it, and keep moving. Wallowing in nostalgia is not of-the-moment. But deja-vu is. It propels you progressively, urgently, and, of course, uncannily.

For those so inclined, I recommend reading Jacques Lacan's framing of this idea. He calls it: meconnaisance.

When you train hard, the soft emerges. And this is how, twenty+ years after childhood, Anne Shirley returns. As you may know, the Anne of GG series has a cult-like following in Japan. Many have speculated as to why. They've suggested that it represents a desire for a Japan that never was. Perhaps. Whatever the reason, I found the following article on the Aikido Journal site (see: http://www.aikidojournal.com/?id=3432). It is written by Nev Sagiba Sensei. In it he describes what is, I think, the ideal human-animal: rigorously disciplined in mind and body and, as a result, surprisingly gentle in spirit.

And so today, as Coney Island's Astroland officially closes its doors forever, new ones open. Here's an example:

Advantage and Disadvantage - Life Navigation Skills

Pursuing the path of Aikido over many years has taught me the simple revelation made by a friend a long time ago, on a beach watching the rising sun: “To every advantage, there is a disadvantage; to every disadvantage there is an advantage. Each carries inside of it the seed of its opposite.”

This is the secret of navigating life, indeed the very cosmos itself. Ukemi.

I have a friend, a very hard stylist who never stayed with Aikido long enough to truly extract its benefits, who jeers at the Koryu or Kobudo arts’ methodology; the old style where the master takes the uke role. He claims, “Yeah, they practice losing so they can get good at it.” I’m not sure what he bases this on but, since he talks a lot and no longer practices, I can only deduce that it’s just plain ignorance arrived at because of academic theorizing and lack of practice. A bad combination indeed.

Can we really agree with this view in the face of the fact the old masters came from generations of battle-hardened warriors often going back thousands of years into old China and India? Their methods obviously have purpose, discovered in the wisdom of ages of experience.

My experience over my few years of variegated training differs considerably from that of my friend and I have consistently observed the very opposite to his view. I concur with the Kobudo view. I have found that the sport ‘martial artists’, the few freaks who survive this hard game invariably get killed or turn out to be cowards in the street, the field and any real emergency. In tending to be self-centered about winning they walk into their own darkness and fail. Repeatedly I’ve witnessed this. Big, tough, macho pussies they turn out to be, only capable of generally pushing their weight around when no real risk exists.

Conversely, the gentle, non-competitive people who train quietly and treat everyone with respect generally turn out to be fearless warriors in all manner of high-risk situations. And then they resume their creative service to society bearing their own burden as if nothing happened. You generally would not pick them as being out of the ordinary.

Again and again and again I have seen this trend until it began to speak to me. I asked the question: Why? I have no answers, but I have developed a theory, the theory of Ukemi and Kaeshi.

When you practice to both “win” and “lose” till these two impostors become irrelevant, another dimension of consciousness begins to appear; a different paradigm or way of viewing existence which enables us to navigate instead of blunderbuss through life, with entirely different results.

Because you understand both, you fear neither, and therefore it becomes possible to take charge and win at every point.

Remember the days when trainees of some arts knew no groundwork. Nor how to fall safely, and if felled, made the decision to imagine they had lost. A mere fall was considered a loss in their minds and at that point they gave up trying. Man, the ground is your ally and just the beginning whether you stay there or not! And you GET UP AGAIN.

A Budo acquaintance I share information with, often confesses that he has “lost” as many fights as he has won. Since he refers to crime fighting he’s referring to the real thing, not sport. Whilst I appreciate his candor, I keep having to tell him that he has lost none. He does not seem to get it and I have to keep repeating it: “If you lost you would be dead!” Mere bruises, pain and injuries do not constitute loss, they indicate you are alive. “What did you do?” I ask. He replies: “I got up and got on with life.” I rest my case. You won. The rest is mere details.

Life navigation is determined by attitudes. The practice of Aikido in particular, delineates those attitudes.

I was on the phone not long ago talking business with another friend, a hardened Budoka, now a successful business entrepreneur with some severe past street experience. He suddenly, mid-conversation told me: “I have to go. I’m closing shop, ‘Anne of Green Gables’ is on.” And hung up the phone.

What??? ‘What’s is the world coming to?’, I thought. But I became intrigued. I recalled that my ex and her daughters used to watch it and I then, being younger and more task-oriented, basically ignored it as “girlie stuff.” Now, this toughened, street hardened warrior closed shop to watch “Anne of Green Gables”? Well, most of my life has been surreal in one way or another, so, whilst surprised I quickly adapted; but my intrigue got the better of me and so I decided to close shop as well and put the TV on and watch “Anne of Green Gables!” What was it a street hardened fighter was getting out of watching this? So much so that I ended up getting the complete series and er.. studying it.

No leaping of tall buildings. Just human circumstance. A bit too close to home for comfort. And the nostalgia of a seeming better past is always a hook. Romantic, idealized and unrealistic pasts are always an escape from now. But there are some bits of gold in the story that do apply to real life.

The way the character, a girl, heroically navigates a potentially miserable life turning everything her way, was pure Aikido life navigation. Portraying the highest, the best, the possible of human potential, never staying down for long, bringing value to the world instead of only taking and expecting. Strong where necessary, but mostly dynamically kind and staunchly compassionate in the face of spite, anger, hard-heartedness, envy, betrayal and a host of miseries. Making friends of possible enemies and never taking no for an answer when it came to integrity.

It caused me to reflect on my past life. Despite my high and noble ideals.. well.. it makes me look like a bull in a china shop with a blindfold; or a steam roller in high gear, though I did not realise it at the time.

Looking back, of necessity I too fought life more than necessary at times, instead of appropriately yielding to least some circumstances. I hope I can learn to do better as I grow. It taught me also that for the vast most of us, when we behave like idiots, we know no better and that’s why we stumble blindly, clumsily and arrogantly through a life riddled with errors and learning mostly the hard way. It brought up considerable feeling of forgiveness for others in this plight, not possible many years ago in the thick of battle.

I have known people in life who in many ways resemble this Anne character, not a Pollyanna but a dynamic spiritual warrior, yet with heart. What made them different? An ATTITUDE and a CHOICE to remain positive despite the challenges and to CONVERT THE DISADVANTAGES INTO ADVANTAGES. PURE AIKIDO.

Er.. it makes my expertise on the mat and other battles pale into insignificance. I’m the student; they and the character of Anne are the masters of Aikido. Guys with a hakama… nothing much.

What enables such an attitude earlier in life in some more than others, the slow learners like me?

I don’t know, but I found these passages which I’ll share:

From Rudyard Kipling:

IF

If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you
But make allowance for their doubting too,
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise:

If you can dream—and not make dreams your master,
If you can think—and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ‘em up with worn-out tools:

If you can make one heap of all your winnings
And risk it all on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: “Hold on!”

If you can talk with crowds and keep your virtue,
Or walk with kings—nor lose the common touch,
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much,
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!

—Rudyard Kipling

And from the Mahabarata and the Bhagavad Gita:

”..Realize that pleasure and pain, gain and loss, victory and defeat, are all one and the same: then go into battle..”

Another translation:

“…Treating pleasure and pain, gain and loss, victory and defeat alike, engage yourself in your duty..”

In other words: Get over it. Grow up. Do something about your attitude. Get on with the business of being human, creating and serving all life, and sure, be a good fighter as well, just in case you need it, but make better things than mere fighting, your primary focus.

And if you have to, when there is no alternate choice, then fight if you have to.

As the Founder of Aikido stated: “Leave everything in the hands of the Universe.. Live life creatively and to the fullest… Love all life… True Budo is an expression of God’s love… It requires no more weapons than your heart… Regardless of circumstance, hold an attitude where everything can be converted to advantage, no matter what… true victory is victory within yourself, everything else then follows…”

Nev Sagiba
aikiblue.com

Sunday, September 7, 2008

Zen Bubbeism




Weakness is Power: The Musical

There's a funny bit in an old Jet Li film where he plays a village idiot. This character finally grasps that one cannot even hold an inflated ball underwater, so strong is Nature compared to muscles.

Then, I swear, said village breaks into a chorus line, belting out: "Mercy is Merciless" in the key of F# and doing jazz hands. Ok, no jazz hands, but, um, lots of tai chi hip-hop. Seriously.

For some reason, this reminded me of John C. Caputo's understanding of "weak theology":

On the classical account of strong theology, Jesus was just holding back his divine power in order to let his human nature suffer. He freely chose to check his power because the Father had a plan to redeem the world with his blood. ... That is not the weakness of God that I am here defending. God, the event harbored by the name of God, is present at the crucifixion, as the power of the powerlessness of Jesus, in and as the protest against the injustice that rises up from the cross, in and as the words of forgiveness, not a deferred power that will be visited upon one’s enemies at a later time. God is in attendance as the weak force of the call that cries out from Calvary and calls across the epochs, that cries out from every corpse created by every cruel and unjust power. The logos of the cross is a call to renounce violence, not to conceal and defer it and then, in a stunning act that takes the enemy by surprise, to lay them low with real power, which shows the enemy who really has the power. That is just what Nietzsche was criticizing under the name of ressentiment.

John D. Caputo, The Weakness of God: A Theology of the Event

And if anyone doubts the power of this radical choice, watch this:



Aikido literally exerts no force. Since energy cannot be destroyed, Aikido rechannels it. However, this is far from some vaguely Christian notion of sublimation. The technique is so precise, so logical, that I feel sorry for someone who exerts strain against a disciplined Aikido practitioner (Aikidoka)... such an aggressor would actually, literally hurt himself--while the Aikidoka, in a very kinetic sense, does nothing.

[Chorus: Reprise "Mercy is Merciless!"]

[Dance break: Do Tai Chi hip-hop. Exit All Stage Left.]

Yeah, yeah, yeah! Next time I'm in the dojo, I'm going to ask sensei if we can warm up by singing some Ella Fitgzerald:

You can try hard
Don't mean a thing
Take it easy, greasy
Then your jive will swing

I think sensei will not like this idea.

Saturday, September 6, 2008

Common Students that Martial Arts Instructors See/Want to kill. Kidding...



Common Students that Martial Arts Instructors See

1. Question Lad (aka. What-If?): This guy will bring up every possible permutation for every drill that is being worked. Solution: Make him uki.

2. Captain Slacker: Dogs the drills and sucks away the stunning dynamic experience that occurs during every class. ;-) Solution: Make him uki.

3. The Interpreter: Seems to believe that explanations must be altered to so that the masses can understand them. Even when the masses are already doing the drill. Solution: Make him uki.

4. The Whacker. Selflessly and altruistically strives to make each partner drill ultra-"realistic", for his partner's learning benefit. Leaves a wake of bruises, black eyes, and sprains behind him until he tries it on the wrong person. Solution: trade partners frequently, the right one will come along soon.

5. The Silver Spoon. Has a unique blind spot that prevents him from seeing anything that needs doing around the dojo. This blind spot is so wide that he can't see an entire dojo floor full of other students with rags cleaning up. Solution: hand him a rag. Or make him uke. Gis make great cleaning rags, with or without a person in them.

6. The Assistant Insructor. Possessed of a truly amazing learning curve, this specimen has absorbed enough knowledge in six months' study to be able to offer a flawless critique of others' practice. Undeterred by the presence of actual knowledge and experience. Solution: have him do heian shodan. As my sensei told me, "Nobody knows more about karate than a green belt. If you don't believe it, just ask him"

7. The Vince Lombardi Wannabe: Believes only that a good offense is the best defense. Constantly attacks training partners at full speed to demonstrate this philosophy, leaving confused and disgruntled students in his wake. Solution: He/she feeds the instructor next time.

8. The Whiner. Common source of "but that huuuuurts!" "I think I need to sit out for a moment," and "that's too hard!" during simple basic partner drills, including all light sparring. Solution: Take two Tylenol and put them back in. They'll either gain a little intestinal fortitude or they'll quit. (Note: the Tylenol is for YOU, not them.) (Note 2: I'm not talking real injury here----I mean the whimpering little whining that happens when someone gets an arm bar put on, so that the pressure on the arm "hurts my arm muscle." Things like that. People who simply canNOT get through an entire class without at least 2 brief class pauses while the instructor checks if the person is really hurt, or just whining yet _again_.) (And yes, I've got one of these. Arg.)

9. The Toughman. Can take ANY technique, and "tough it out" according to him (it is almost always a him) Pressure points don't work (according to him), locks are something he can handle (according to him), and getting thrown/landed on/smashed/crushed/mangled is something where he can "take the pain, suck it up, and shrug it off." No matter what. Solution: make him uki MORE.

10. The Cross-trainer. "White belt, you need to adjust your stance this way." "But sir, this is the way we did it in the last tkd/karate/aikido/judo/whatever class I was in. And I've noted you don't do [such and such] technique 'correctly' ---in my last class, the teacher said it was stupid to do it the way you do." Teacher: "Arg. Can I simply kill you now?" Solution: Manage to not show Little Grasshopper why you "do it that way," and simple explain that different classes do it different ways----and in THIS class, we do it MY way.

11. The Primal Male. Women simply canNOT do techniques that would be effective against this man because, after all, they are women. Smaller, weaker, etc... Solution: Have the smallest high ranking female in class use The Primal Male as demonstration person for joint locks and throws. In front of the new students. (This person is common in many college programs, BTW.)

12. The Mouth. Has the amazing ability to continue talking while you are standing in front of him stating that he should shut up. (If you're lucky, this only occurs in children's classes.) Solution: His partner gets 10 pushups everytime he opens his mouth.

13. The Clueless: He's constantly doing stuff wrong. Even the simplest explanations bring a glazed look to his eye as he continues to be unable to improve. Solution: Can't think of a single one. [Ed. Note: Baseball bat. Hey, it is theraputic for the teacher.]

14. The macho newbie: He's big, he's strong, and he knows it. Furthermore, there's no woman in the whole dojo that he couldn't knock out with his fabulous punch, and he's going to make sure that everyone knows it. Solution: Kick him in the groin. ;) (OK, so you can't really do that if you're the instructor, but you can tell the other students to do it!)

15. The macho old-timer: He's big, he's strong, and he's been doing this a long time. Ain't no one in the place that better *ever* beat him at a drill, or they will pay the concequences. Solution: Kick him in the groin (Hey, Don got to use solutions over! ;), and then quickly move on to the next partner.

16. The "in my previous dojo"'er: Need I say more? :) Solution: send him on to his next dojo.

17. Ninja Bob: is pretty sure that he is training to become a covert agent, and wants constant reassurance of the deadlyness of his/her endeavors.

18. Every sifu's best friend: wants to be your 'best' student, but unfortunately can't deal with training in the group. It's not his fault really, but he's a kick ass private student at the no contact level. (you guys can call this "The Maurice" if you want)

19. Mr. Agreeable: Yes, he understands. Yes, the drill makes sense, sure. Sure, keep it slow, watch the contact. (smile, nod) Oh, like that, right. ...Proceeds (as soon as your back is turned) to, in dazed confusion, invent his own damn drill, thank you very much, fast, out of control, and not at all similar to the original.

20. Ms. I'm-tough-'cuz-I-do-karate. She likes to think she's tough, but anytime someone makes even a little bit of contact, she's going to complain to anyone that will listen. This is to be contrasted with the women who *are* there to train, and say nothing about the multiple bruises they take home every night from the macho-newbie and the macho-old-timer. Solution: Hit her really hard and tell her to stop being such a wuss when she complains. The phrase "It's karate/judo/etc., it's supposed to hurt a little bit" should be used often. Solution: every single time, without exception, pair Ms. Selfdefense with #4, The Whacker. This will necessitate her learning to "whack" back.

21. Ms. Self-Defense. She's read too many RMA threads, and truely believes that her intelligence will get her out of any struggle she may encounter. And if her intelligence doesn't work, then her legs will, because after all, women's legs are stronger than men's. Solution: Put her one on one with one of the smaller guys, and tell her to defend herself. 19 times out of 20, she'll find that her legs and her intelligence don't matter too awefully much. Every single time, without exception, pair Ms. I'm-tough-'cuz-I- do-karate with #9, the macho newbie. She will probably eventually get pissed off enough to WANT to let him have it.

22. The glass menagerie: think that they should be able to learn how to fight without ever falling down, getting bruised or otherwise experiencing physical discomfort. Never fully commits to a technique, holds back and typically ends up being one of the first people to experience an injury. (Usually from not committing to the movement properly) Solution: time...they either learn or leave.

23. The natural: has natural athletic ability which really does help him or her in the learning of MA. Is frequently lazy, however, since it doesn't seem that hard to learn. This person frequently gets bored and ends up leaving without fulfilling their potential. Solution: find something that challenges them (and make them uke?)

24. Eclectic Man. Has done thirty other arts for one class apiece. Is just killing time until he can create his own martial art and associated web site (whose address he will repeatedly post to RMA). Hopes to be inducted to the "World Martial Arts Hall of Fame" as "Supreme Grandmaster of the Year" before his 23rd birthday. Immediate response to any drill is "In Armenian Tae Kung Kara Aikikenpojujutsu, they do X instead". Thinks you are jealous because his uniform has more patches on it than yours does. Solution: Make him uke. Preferably for "the Whacker" ;-)

25. Satori Man. Has read every single book or article ever written on Zen and martial arts. Owns stock in Shambala. Has never actually done zazen. Quotes koans at every opportunity. Believes Morihei Ueshiba was God. Believes Morihei Ueshiba was a Buddhist. Is fond of expounding about how "X" is not a "real martial art" because it lacks a "spiritual component" Solution: Invite your friend Charlie, who has been teaching "X" for a couple of decades, to the dojo to teach a surprise special seminar...and thereby acquaint Satori Man with his own spiritual component by making him uke.

26. Variant 1 on Satori Man: all this and has never done any MA training. Solution: make him stop talking and practice. He'll go away. I recall one kid who rebelled at being forced to hold the shinai with a right-handed grip. He'd read Go Rin No Sho and according to him, Musashi didn't do it that way. He lasted 2 classes.

27. Jutsu Man. Flip side of "Satori Man". Believes he is the reincarnation of Miyamoto Musashi, John L. Sullivan, and Attila the Hun. Is dismissive of many "-do" forms because they "aren't practical" have "all that spirituality bullshit", or are "just sports". Believes women "can't fight for shit". Solution: Invite a small, female, godan in Judo to teach him the meaning of the term "kata guruma"...and make him uke.

28. The Ogler. The woman who is so busy oogling at the guys, she's not paying attention to what you're trying to teach her. In my experience, these are always beginners. One possible solution is to pair her up with a guy, ideally one of the guys she's oogling. That way, at least, I can go off and teach someone else or practice with someone who wants to train. Another solution is to throw her quickly and rather than help support the fall, let her weight drop completely. Doesn't leave quite the same bruises as punching, but can be pretty punishing all the same. Of course, *I* would never do this.

29. The Drifter: Comes to class once every couple of months. Is completely clueless about the material currently being studied, but wants to be promoted to the next belt. solution: Relocate the dojo every once in a while. (Thats what my Sensei does)

30. The Hasbeen: used to practice five or ten years ago, and has now returned. Thinks he knows just as much as the advanced students that studied with him then and haven't stopped. Tries very hard to prove he is just as good as them by using lots of force while doing the techniques. Solution: pair him up with one of said students.

Friday, September 5, 2008

THE COMPLETE HISTORY OF AMERICA (abridged)


Last night I saw The Reduced Shakespeare Company's

THE COMPLETE HISTORY OF AMERICA (abridged)

I loved it! So gleefuly subversive. For example, see their tongue-in-cheek new national anthem:


Austin: As we’re all agreed that we need a new national anthem, I have written my own modest example. Um, could I get a G?

Reed: Yeah. [plays note]

Austin: Thank you. Now, this is a song – this is a song which some of you may recognize. Maestro?

[Reed plays “America, the Beautiful” on accordion]

Austin: [singing] Oh, beautiful for spacious skies
And non-exploited waves of botanical companions.
For mountains of majesties and color
And free-roaming non-human beings
Beside the differently-harvested plain.
Oh, non-Eurocentric bioregion
Non-theologically specific supreme being
([speaks] If she exists)
Shed ambigenic grace on thee
And made you more of a
Non-speciesistic, multi-cultural eco-warrior
From chronologically-gifted anthropomorphized river
To cosmetically-enhanced sea!

[Music ends]

[Audience cheers; applauds]

Austin: Thank you so much! Thank you. Thank you so much. Play ball!

Thursday, September 4, 2008

The Jewish Samurai: A Joke



The Jewish Samurai

There once was a powerful Japanese emperor who needed a new chief samurai. So he sent out a declaration throughout the entire known world that he was searching for a chief.

A year passed, and only three people applied for the very demanding position: a Japanese samurai, a Chinese samurai, and a Jewish samurai.

The emperor asked the Japanese samurai to come in and demonstrate why he should be the chief samurai. The Japanese samurai opened a matchbox, and out popped a bumblebee. Whoosh! went his sword. The bumblebee dropped dead, chopped in half.

The emperor exclaimed, "That is very impressive!"

The emperor then issued the same challenge to the Chinese samurai, to come in and demonstrate why he should be chosen. The Chinese samurai also opened a matchbox and out buzzed a fly. Whoosh, whoosh, whoosh, whoosh! The fly dropped dead, chopped into four small pieces.

The emperor exclaimed, "That is very impressive!"

Now the emperor turned to the Jewish samurai, and asked him to demonstrate why he should be the chief samurai. The Jewish Samurai opened a matchbox, and out flew a gnat. His flashing sword went Whoosh! But the gnat was still alive and flying around.

The emperor, obviously disappointed, said, "Very ambitious, but why is that gnat not dead?"

The Jewish Samurai just smiled and said, "Circumcision is not meant to kill."

Wednesday, September 3, 2008

KILL YOUR TV!!!

What I do at home. For fun. Must get out more...